3rd February, 2014
John Irving investigates the issue of 18th-century Topic Theory as applied in the performance of Mozart’s chamber music with piano.
A day conference exploring innovations in composer-performer-audience relations. It includes findings from the audience engagement project based around two Britten Sinfonia concerts at Milton Court, from both artist and audience perspective; plus presentations on relevant artistic and research initiatives from the Guildhall School and elsewhere.
Mad about metrics? Care about #KEF? In our workshop on 26th May, we'll be thinking about how to report social value & non-economic impact in the next iteration. Join us as we respond to the recent KEF review by @ResEngland. Link - eventbrite.co.uk/e/workshoppi…
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